It collapses down to the 24mm focal length to reach a somewhat short 4.5" (114mm) minimum (and packing) length. See images taken with this lens. Even though we have ‘interchangeable lens’ cameras, we hanker after a single lens that can do pretty much everything, with a mighty zoom range that stretches from serious wide-angle viewing to long telephoto reach. Every extra piece of gear is crippling extra bulk that really mounts up when travelling by bike at high altitude. At the furthest reach of the lens - 200mm - the maximum aperture is f/6.3, where corner shading is extremely minimal. This is because it features an ultra-low dispersion glass element, something that is uncommon for a consumer grade lens, and is usually found only in Canon's L-series lenses. The EF 200mm USM lens is an L-series prime telephoto lens made by Canon Inc. for the EOS line of cameras. An OLED data display shows you three types of information - the selected aperture, focusing distance and focal length. Production was discontinued in 2004. If the thought of spending big $$$ on a huge … Popular for its reach and flexibility, the Canon RF 70-200mm f/4L IS USM is a fresh take on this well-regarded focal length, featuring an impressively sleek and lightweight form factor perfect for their full-frame mirrorless cameras. A 70–200 lens is a zoom lens and there are many advantages that a zoom lens carries. Panasonic and Sigma each offer teleconverters, which can pair with compatible lenses to extend their reach. More importantly, the conservative overall zoom range and cutting-edge Z-mount design enable excellent image quality, similar to what you’d expect from a pair of seriously good standard and telephoto zoom lenses. This superzoom lens doesn’t go overly large in telephoto reach but there’s plenty of wide-angle scope. The 70-200mm F2.8 is the go-to lens for full-frame event … In practice you'd hardly notice the difference in terms of what the lens and camera actually records, whilst being able to appreciate the fact that the Tamron 70-180mm weighs in at a whopping 670g less than Sony's equivalent lens. 1. The NIKKOR 70-200mm f/2.8E FL ED VR is a finely-crafted lens whose build quality matches its considerable price. The new Canon 70-200mm RF zooms look fantastic btw, they are much more compact, like the Canon 70-300mm L that I love. Reply Reply with quote Reply to thread Complain. The body is made from hard, high-quality plastic and has a metal mount. The primary tradeoffs between prime and zoom lenses are: Aperture - Typically, prime lenses tend to operate at wider maximum aperture than zooms. On the 200mm end of the lens, you're able to shoot close-ups of subjects allowing up to 0.28x macro magnifications. in Canon EF and EF-S Lenses ... a 200mm lens will totally fill the frame with a man at about 50ft (about 17m) *on a 1.6 crop frame camera*. Four 200 mm primes were made: f /1.8, two f /2.8, and the most recent f /2.0. So beautiful! Combining this two lenses will grant you many capturing positions and angles. The best 70-200mm telephoto zoom lenses for 2019. Camera deals, prizes and latest news. Review Price: £1450 ; When comparing the f/4 variety of this lens to the flagship f/2.8L version, in some ways this Canon f/4 lens is better designed. The main highlighting features of all 70-200mm lenses are the same, so you must choose based on the company of your camera and your professional and personal needs. You can change the angle of view quickly and without changing lenses. Rotation from min to max is about a quarter turn of the zoom ring. Contact me with news and offers from other Future brands Receive … 24mm. It collapses down to the 24mm focal length to reach a somewhat short 4.5" (114mm) minimum (and packing) length. One of Sony’s expanding family of premium G Master lenses, the FE 70-200mm F2.8 GM OSS is an exceptional lens, though not inexpensive. It is a large off-white lens with rear drop-in filter tray. -- Jerry . Since I frankly have no idea; "Reach" of a 200mm lens? This is great for events, street, wedding photography. (Note that the calculator doesn't take into acount the 1.6x factor so you have to add it yourself) Of course cropping is something to consider as well. In bright light the lens was just fine and quick. The beauty of this type of lens is that it gives you a fast lens, wide enough focal length to be useful in many everyday applications, yet the reach to really zoom in on your subject at the 200mm … 200mm. The focal length range of 70-200mm doesn’t give you as much reach as the other lenses we have rated #3- #6, but it is enough for most landscape photography needs. I’m not used Olympus hunting. The only real downside to 70-200mm f/2.8 lenses is their size and heft. Main advantage is extra reach, but only very slightly. The optical performance of this lens is competitive to Canon's L series telephoto zoom lenses, such as the 70–200mm series of lenses. No great 70-200mm f4 or 70-300mm with variable aperture, that rivals the Canon L lenses in this range. You can see some expected distortion if you shoot close-up at the wide-angle end of the lens, but otherwise, images appear natural. Its modest maximum aperture range, while not excelling in terms of low light, does help to keep the size and weight down for handheld use, and it also sports 5-stop-effective IS to control camera shake. Enjoy the lens. 18-55mm and 55-200mm, each brings different effects for the photo. Paired with a Lumix or Olympus camera, this is one of the most affordable ways to dive into bird photography. On this camera, the 200mm reach of the lens is not enough to make it a good fit for wildlife photography or birding, but by using the crop mode in the camera Z6 allows users to shoot with 1.6 crop mode with the resolution dropping to 10-megapixels you can get by. In the latest Digital Photographer magazine (issue 60) there’s a helpful review of three 70-200mm f2.8 lenses. Even with my 100-400 I don’t have too many landscape shots at focal lengths longer than 300mm. It has Optical SteadyShot stabilization built-in, a circular 11-blade aperture, is extensively weather-sealed and can focus as close as 3.2 feet. You can also use a 70-200mm lens on APS-C bodies from the big three, too. The lens extends during zoom by 2.5" (63mm). in Canon EF and EF-S Lenses As we’d expect from a lens of this type, distortion is not something which is particularly problematic. 70-200 f2.8 or f4: good if you need a faster lens (the f2.8 is better). As soon as light levels drop though, I just couldn’t get strong focus speed on certain subjects that my other lenses would nail instantly. Magnify Closer at 0.28x Designed Smaller and lighter Despite the long reach of the RF70-200mm f/4L IS USM, it is lighter than the standard zoom RF24-105mm f/4L IS USM and 29% shorter than its EF counterpart. canon 70-200mm lens Key Specifications. The 200 mm f /1.8 USM lens, introduced in November 1988, is the fastest 200 mm ever produced. For example, in the photo of the moon and which I have … This is plenty of reach for most situations. Semipalmated Sandpiper photographed in Alaska with the Panasonic Leica 100-400 Panasonic Leica DG Elmarit 200mm f2.8 Power O.I.S. I used the Z 24-200mm lens with the Z6, which is a full-frame camera. And we want it in a compact and lightweight build, with speedy autofocus and strong stabilization that enables consistent sharpness in handheld shooting. Get the best camera deals, reviews, product advice, competitions, unmissable photography news and more! The Tamron doesn’t quite reach the lofty heights of the Canon EF 70-200mm f/2.8L IS USM II with its build quality, focus accuracy and image quality in the center of the frame but for $500 less the Tamron is worthy of attention. Size wise the 55-200mm was a beast of a lens in comparison to the tiny 18-55mm that I’d been using, and yet it still weighed in at a faction of the heft of the Canon 70-200mm f2.8 that I’d normally travel with. -Surprisingly…the lens struggled with focus more often than any other Olympus lens at 200mm in low light conditions, night, etc… even on bright contrasts items. The extra reach of the lens … Their effective zoom ranges get bumped up to 105-300mm (112-320mm for Canon) – which is great if you need some extra reach, with the added benefit of pro-grade build, handling and optical performance. For a very similar price to the Tamron lens, Sigma offers its 70-200mm f/2.8 lens in the Sigma 70-200 mm f/2.8 EX DG APO OS HSM lens. The 70-200mm lens is also a fantastic addition to the kit bag for those nature photographers who also have a passion for landscape photography. Since I frankly have no idea; "Reach" of a 200mm lens? Splash Proof - The Tamron 70-200mm comes with a deep lens hood, which is ideal for stopping spray and water droplets from hitting the lens and ruining the shot. Pixels per mm is the key metric of reach, but only if the lens can resolve this density. The lens extends during zoom by 2.5" (63mm). Thus a 100mm lens on a 20mp 4/3 camera only has the reach of a 113mm lens on a 61mp FF camera. Nikon has placed z oom markings at 24mm, 35mm, 50mm, 70mm, 105mm, 135mm, and 200mm. A 200mm lens is in the category of lenses called "fixed focal length" or "prime", which cannot zoom in and out. In addition to this, besides the major main features, you might come across some minor differences, such as in the printing of the focal length label or the design of a zoom or aperture ring. This lens goes from 55mm on the short side to 200mm on the long end, which is a full frame equivalent to 82.5mm all the way up to 300mm. Given the choice between the two, we would opt for the extra reach of the 12-200mm particularly at the wide end. The Sony GM is supposed to be excellent, but it is way too heavy for landscape use and also supposedly has a lot of sample variation. In terms of the outward design, the Nikon Z 70-200mm f/2.8 VR S lens is also a little more complex than other Z series lenses, with the exception of the 24-70mm f/2.8 Z lens. Rotation from min to max is about a quarter turn of the zoom ring. It really is a 200mm when you need it and it's a great all-purpose piece of glass. The more common lens type is the zoom, which does allow you to zoom in and out. Would suit if you say shoot fast action in low light (say indoor sports). The most obvious elephant in the room is the brave move to cap the maximum telephoto reach at 180mm instead of the classic 200mm. The 18-55mm lens for a photo of the sparkling stars in the sky, and the other for the close and clear face of your lover. It is a very viable alternative to the 24-105mm f4 G which is actually a rather sharp lens through the zoom range. Nikon has placed z oom markings at 24mm, 35mm, 50mm, 70mm, 105mm, 135mm, and 200mm. 200mm. 24mm. What you lose in reach on the wide end you make up for in reach at the long end and also a stop more light at 28mm. The focal length is excellent for giving you the reach to pick out sections of a landscape, details within a scene or for compressing layers for flattering images. And there are times when a bright lens is more important than one that offers long reach. With a field of view equal to 200-800mm, few lenses compare to the reach of this compact lens. Additionally, you can use a teleconverter with the lens if you need to extend the focal length. Longer than a 70-200mm and a 100-400mm, this lens’s reach makes it that much more useful for sports and wildlife shooting. I expect it will drastically cut down on my walk-around weight issues (although the "reach" of the 80-400 and the sharpness of the 12-24 will still be necessary when I'm doing more serious work). It balances well on Nikon’s full frame cameras and comes with a tripod collar that shifts the camera & lens combo’s weight towards the front for easier handling. 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